Showing posts with label concertmaster. Show all posts
Showing posts with label concertmaster. Show all posts

Tuesday, May 24, 2011

Musician Profile: Ellen Cockerham, Current Acting Concertmaster and Principal Second Violin

Can you speak a little about your responsibilities being Principal Second Violin as well as your current role as acting concertmaster? How do the two compare?

It certainly has been interesting to switch between the two positions. Both present their own challenges and require different creative energies, but I think I enjoy both equally. When I am concertmaster, I am constantly making decisions that will affect the entire string section (and sometimes the entire orchestra). Principal second violin is a unique position within the orchestra in that it is the head of a section (the second violins), but it is also part of a larger section (the violins). When I am principal second, I am constantly working to maintain a balance between supporting the first violins and fearlessly leading the seconds.

My responsibilities as acting concertmaster include certain housekeeping tasks, such as making sure the orchestra tunes. Then there are the behind-the-scenes duties, such as determining what bowings to use. All of the string principals have to do this, but the concertmaster's decisions are copied throughout the strings section for uniformity. And people aren't just looking to me to know which direction to move the bow, they are watching to see what kind of bowstroke I am using, when to start or end a note, which string I am playing on, even what kind of vibrato I am using. It is also my responsibility to make sure that everyone is, in fact, paying attention to all of these details. And occasionally, I must emerge from the section to play a solo.

As principal second, I also have the (very) occasional solo, but I keep a lower profile in general. My role is to confirm everything the concertmaster is doing and to provide grounding for the stratospheric first violin lines. The big challenge is to know when to break away from the firsts and become an independent section. When I study a score in preparation for being principal second, I pay close attention to the ever-changing relationship between the first and second violins. Are we playing the same thing? Do we enter a measure before them? Is this an inner-voice (violas and second violins) figuration? Are the second violins the lead voice here? This is why, when I am principal second, you will see my eyes darting around from concertmaster to conductor to the other string principals. And sometimes to my music.

When did you first become interested in music?

I became obsessed with the idea of playing the violin at the age of 5. I went to a concert that featured a violin soloist and it stirred something in me that hasn't gone away since. I do love music, but I can't really see myself playing a different instrument. I've always felt a special connection with the violin.

What pieces or composers do you find most inspiring?

I think I am most inspired by music of great clarity (Bach cello suites, Schubert Symphony No. 5, Stravinsky L'histoire du Soldat) and music which sounds natural and improvised (Mahler symphonies, Bartok string quartets). And I will be eternally fascinated by the string quartets of Beethoven, which sound absolutely divine yet so utterly human.

What do you enjoy doing besides playing music?

I love riding my bike around town. I even ride to rehearsals when the weather is nice! I also love to write, so I am trying to nurture that hobby by reading a lot and keeping a blog. I recently started a container garden outside my Carytown apartment, which is something I've always wanted to do. And, of course, I love to cook. My favorite kitchen projects are things which you might not think of making at home such as peanut butter, ricotta cheese, clarified butter, bread, alfalfa sprouts and lattes. Speaking of which, if I'm not at home or at work, you can find me sipping coffee at Lamplighter Roasting Company.

Friday, November 12, 2010

Latest Adventure of Ludwig van Beethoven

We've been sending Mr. Beethoven to all sorts of events in hopes the he will entice folks for the 2010 Transformation Campaign. The goal is to attract 2,010 new supporters to the Symphony during the 2010-11 season, including new subscribers, new individual donors and new business support.
Here is the latest photo from Mr. Beethoven!


In other news....Richmond Symphony was featured in a couple of news stories this week.

One in the Richmond Times-Dispatch about our concert tomorrow, Jefferson, In His Own Words, and the commission of that title piece. Other pieces that will be performed this Saturday (8pm) and Sunday (3pm) will be Copland's Fanfare for the Common Man, Saint-Saens' Cello Concerto No. 2 featuring principal cellist Neal Cary, and Dvorak's Symphony No. 6. Read the article here.

The other in Style Weekly on our departing concertmaster Karen Johnson, who is off to a new position next year as a member in the President's Own Marine band. Definitely a very exciting opportunity for her. She speaks with Don Harrison about her experiences as concertmaster. This weekend's concerts will be one of the last times you will be able to see her as concertmaster in Richmond. Read the article here.